Index
Information
Artist’s Statement

Ongoing
Ambiguous Standards Institute Photography

2023

when pigs fly . artwork

2022

a travelling exhibition . exhibition

2021

Le Grand K2 . artwork

The Truth Is Out Where? . article

An Institute Within An Institute. exhibition

2020

It was your toy that was hacked . exhibition

2019

Dreamscapes: Hypercritical Dissections in Space . exhibition
An empty room creates its own function. exhibition

2018

Plasticity v2 . critical design studio
Art Maker Lab . space
The Crocodile . stage design

Taking Scarpa for a Walk . workshop
Domesticity v2. design studio
Toolsturning . design project
M(F)aking Between Finality and instrumentality . article

2017

Velocity v2 . design studio

Architectural Model Making In Turkey: A Tool For Thinking and Visualization . exhibition design

Stools as Tools: Tactical Units and Ways of Sitting in Public Space . article

Electricity v1 . design studio

ALT.Lounge . space

Two Modes: Playing Darzana . article

The Bride's House or the Era of Hyper-Rituals  . article

2016

Plasticity v1 . critical design studio

Reprojecting Autoprogettazione? . exhibition

Curious Assembly . research

The New Domesticity: Furniture Issue . exhibition

Domesticity v1 . critical design studio
Creature Comforts . design practice

2015

Velocity v1 . critical design studio

Hypercraft: Lacework . workshop

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publicity


February 2022


FIGHTING FOR THE RIGHT TO PARTICIPATE - REVIEW OF MONU #34 BY RUPAL RATHORE

Right: Ambiguous Standards of Protest by Cansu Cürgen and Avsar Gürpinar, p. 18-19

"Ambiguous Standards of Protest" elaborates on how ordinary objects like cloth hanger, bra, house keys and others are 'recontextualized' to acquire new meanings when multiplied in large gatherings to convey a message quite literal or be used as a shield like the yellow umbrella in Hong Kong. Blocking the streets and hijacking logistics is perhaps found to be the quickest way to grab the attention of authorities, put forth demands for the most basic requirements like public transport or affordable health care and force decisions that prioritize the community over tourists....
Rupal Rathore is an architect, urban researcher and writer based in India. She practices design under her studio The Native Platform, in the quaint city of Udaipur.
This review of MONU #34 was first published on The Native Platform on December 23, 2021.
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