Index
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Artist’s Statement

Ongoing
Ambiguous Standards Institute Photography

2023

when pigs fly . artwork

2022

a travelling exhibition . exhibition

2021

Le Grand K2 . artwork

The Truth Is Out Where? . article

An Institute Within An Institute. exhibition

2020

It Was Your Toy That Was Broken. exhibition

2019

Dreamscapes: Hypercritical Dissections in Space . exhibition
An empty room creates its own function. exhibition

2018

Plasticity v2 . critical design studio
Art Maker Lab . space
The Crocodile . stage design

Taking Scarpa for a Walk . workshop
Domesticity v2. design studio
Toolsturning . design project
M(F)aking Between Finality and instrumentality . article

2017

Velocity v2 . design studio

Architectural Model Making In Turkey: A Tool For Thinking and Visualization . exhibition design

Stools as Tools: Tactical Units and Ways of Sitting in Public Space . article

Electricity v1 . design studio

ALT.Lounge . space

Two Modes: Playing Darzana . article

The Bride's House or the Era of Hyper-Rituals  . article

2016

Plasticity v1 . critical design studio

Reprojecting Autoprogettazione? . exhibition

Curious Assembly . research

The New Domesticity: Furniture Issue . exhibition

Domesticity v1 . critical design studio
Creature Comforts . design practice

2015

Velocity v1 . critical design studio

Hypercraft: Lacework . workshop

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Avsar Gurpinar

I live, teach and design in the UK. I am a lecturer in Loughborough University, School of Design and Creative Arts. I am a co-founder of Ambiguous Standards Institute. I am a member of Design Research Society, a reviever for The Design Journal, an occasional critic for DAMN and Monu magazines and autodidactic tennis player.

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